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The icon of the Nativity depicts the Christ Child wrapped in swaddling clothes reminiscent of his burial wrappings. The child is often shown lying on a stone, representing the Tomb of Christ, rather than a manger. The Cave of the Nativity is also a reminder of the cave in which Jesus was buried.
Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. [1] The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all ), it is regarded by historians and scholars among the most important and recognizable works in the study of Byzantine ...
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
The oldest surviving panel icon of Christ Pantocrator, encaustic on panel, c. 6th century, showing the appearance of Jesus that is still immediately recognised today. Jesus is sometimes shown performing miracles by means of a wand, [33] as on the doors of Santa Sabina in Rome (430–32).
The oldest icon on an Old Testament theme is also preserved there. A project to catalogue the collections has been ongoing since the 1960s. The monastery was an important centre for the development of the hybrid style of Crusader art, and retains over 120 icons created in the style, by far the largest collection in existence. Many were ...
The oldest surviving icon of Christ Pantocrator, encaustic on panel, c. 6th century ... "Explanation of Orthodox Christian Icons", from Church of the Nativity
The pontifical decree issued for the icon of Our Lady of Porta Vaga on 19 March 2018. This is the present decree format used by the Dicastery for Divine Worship since 1999. The canonical coronation of the image of "Our Lady of the Holy Rosary of Fatima" by Cardinal Benedetto Aloisi Masella on 13 May 1946.
It depicts the nativity of Jesus, with saints Francis of Assisi and Lawrence among other figures surrounding Mary and the newborn Jesus. [3] [2] The painting is about 2.7 metres high and two metres wide. [4] On the night of 17–18 October 1969, [5] two thieves stole the painting from its home in the Oratory of Saint Lawrence in Palermo. [4]