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John Speed's Genealogies recorded in the Sacred Scriptures (1611), bound into first King James Bible in quarto size (1612). The title of the first edition of the translation, in Early Modern English, was "THE HOLY BIBLE, Conteyning the Old Teſtament, AND THE NEW: Newly Tranſlated out of the Originall tongues: & with the former Tranſlations diligently compared and reuiſed, by his Maiesties ...
Genesis 2 or Genesis II may refer to: Genesis II (space habitat), an experimental spacecraft launched by Bigelow Aerospace in 2006; Genesis II (film), a 1973 television film pilot; Genesis II Church of Health and Healing, promoter of MMS (known as the "Miracle Mineral Solution") and other sacraments; Genesis 2 (Bible), chapter 2 of the Book of ...
Genesis Suite is a 1945 work for narrator, chorus and orchestra.A musical interpretation of the first eleven chapters of the Book of Genesis, the suite was a collaborative work by seven composers, some of whom wrote film music in Hollywood.
2 Samuel: 2 Samuelis also known as 2 Regum: 2 Kings: The Second Book of Samuel, otherwise called the Second Book of the Kings 1 Kings: 3 Regum: 3 Kings: The First Book of the Kings, commonly called the Third Book of the Kings 2 Kings: 4 Regum: 4 Kings: The Second Book of the Kings, commonly called the Fourth Book of the Kings 1 Chronicles: 1 ...
Song of Songs 2 (abbreviated [where?] as Song 2) is the second chapter of the Song of Songs in the Hebrew Bible or the Old Testament of the Christian Bible. [1] [2] This book is one of the Five Megillot, a collection of short books, together with Ruth, Lamentations, Ecclesiastes and Esther, within the Ketuvim, the third and the last part of the Hebrew Bible. [3]
The Genesis creation narrative is the creation myth [a] of both Judaism and Christianity, [1] told in the Book of Genesis ch. 1–2. While the Jewish and Christian tradition is that the account is one comprehensive story, [2] [3] modern scholars of biblical criticism identify the account as a composite work [4] made up of two stories drawn from different sources.
Werner writes that "unique in the history of music is the firm belief in the purifying and sin-atoning power of the Temple's music, ascribed to both chant and instruments." [9] The music had to be free from blemish or fault, and avoided magical elements. Even the High Priest's garment had symbolism: (Exod. 28:34–35): "a golden bell and a ...