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A. Absence of the Heart; Address in the Stars; Ahead of Our Time (song) Ain't Always the Cowboy; Ain't Nothing 'bout You; Ain't the Same; All Cried Out (Kree Harrison song)
Adult country: Typified by the Nash Icon national format, adult country (there is no generally accepted name for the format) has a music set newer than a classic or traditional country station (seldom playing songs from before 1980) but not as reliant on current hits as a mainstream or hot country station. Such stations are more willing to play ...
"How to Be a Country Star" is a song recorded by American country music group The Statler Brothers, written by group members Harold Reid and Don Reid. The song – a humorous, tongue-in-cheek advice song that names many of the top country music recording artists of the time, along with a number of classic country artists – was released in ...
According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent:
The song was covered with slightly reworked lyrics by Tom Waits in July 1975 at Record Plant Studios in Los Angeles and released in October on his third album, the pseudo-live double-LP Nighthawks at the Diner, under the title "Big Joe and Phantom 309". (To establish mood for the studio audience, Waits refers to the studio as "Raphael's Silver ...
He is a Tejano and Texas country music singer, infusing his music with Latin sounds, and even singing verses of songs in Spanish. In the 1970s and 1980s, he was one of country music's most successful male artists, recording a string of hit songs, such as "You Always Come Back to Hurting Me," "Desperado," "Down on the Rio Grande" and "Foolin'."
"Coca-Cola Cowboy" is a song written by Steve Dorff, Sandy Pinkard, Sam Atchley, and Bud Dain, and recorded by American country music artist Mel Tillis. It was released in June 1979 as the first single from the album Mr. Entertainer .
[4] Allmusic critic Richie Unterberger also finds the lyrics to be enigmatic and difficult to understand. [6] Unterberger does find the first two parts to contain "evocative images that seem suffused with nostalgic lament and regret." [6] He finds the last part to be a "romantic plea for the girl to let him be her country man." [6]