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Sir William Sterndale Bennett (13 April 1816 – 1 February 1875) was an English composer, pianist, conductor and music educator. At the age of ten Bennett was admitted to the London Royal Academy of Music (RAM), where he remained for ten years.
Pastoral: The May Queen, Op 39; Sacred Cantata: The Woman of Samaria, Op 44 (Birmingham Festival, 1867) Duet: Remember Now Thy Creator; Exhibition Ode (1862), Op 40; Cambridge Installation Ode, Op 41; Now, my God, Let, I beseech Thee; God is a Spirit; Several other anthems, Hymn and Psalm tunes
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She was engaged as the soprano soloist for the premiere of the pastorale May Queen by William Sterndale Bennett, a work commissioned for the opening of the Leeds Music Festival in 1858 and conducted by the composer. Probably the finest revelation of her powers was at the Handel Festival there in June 1859. She then determined to retire.
1 William Sterndale Bennett. Toggle William Sterndale Bennett subsection. 1.1 Conditional Support by Lingzhi. 1.2 User:Brianboulton. 1.3 Coord note. 1.4 Source review ...
As its first Hon Secretary, he played an important role under William Sterndale Bennett to form the Bach Society, forerunner to the Bach Choir in London. [4] He taught organ studies to Helen Johnston (a student at Queen's College, London ) whom Sterndale Bennett had chosen to translate the St Matthew Passion from German into English for the ...
Around 1854, she published her book Lyra Germanica, a collection of German hymns which she had chosen and translated into English. A further collection followed in 1858. During 1863, she published The Chorale Book for England, which was coedited by the composers William Sterndale Bennett and Otto Goldschmidt.
He obtained a Queen's Scholarship at the Royal Academy of Music, London, in 1849 studying under William Sterndale Bennett and developing into an accomplished pianist. In 1857 he travelled to Leipzig to study composition and piano, playing Mendelssohn 's Piano Concerto No. 2 in D minor at a Gewandhaus concert on 22 March 1860. [ 1 ]