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  2. Eamon McLoughlin - Wikipedia

    en.wikipedia.org/wiki/Eamon_McLoughlin

    Eamon performs in the (separate) touring bands of Emmylou Harris and Rodney Crowell. He also sings, plays mandolin, guitar, cello and viola, and can be seen performing regularly with The 50 Shades of Hay. He has received two Grammy nominations for Country Instrumental Performance as a founding member of the American bluegrass band The Greencards.

  3. Three Chords and the Truth - Wikipedia

    en.wikipedia.org/wiki/Three_Chords_and_the_Truth

    "Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted by Duff McKagan and Susan Holmes McKagan.

  4. File:Beginners Book Of Songs.pdf - Wikipedia

    en.wikipedia.org/wiki/File:Beginners_Book_Of...

    English: Music and lyrics of the song "Good Morning to All", with third verse "Happy Birthday to You", printed in 1912 in Beginners book of Songs with instructions unauthorized publication, which do not credit Hill’s 1893 melody.

  5. Ammon - Wikipedia

    en.wikipedia.org/wiki/Ammon

    Ammon (/ ˈ æ m ən /; Ammonite: 𐤏𐤌𐤍 ʻAmān; Hebrew: עַמּוֹן ʻAmmōn; Arabic: عمّون, romanized: ʻAmmūn) was an ancient Semitic-speaking kingdom occupying the east of the Jordan River, between the torrent valleys of Arnon and Jabbok, in present-day Jordan.

  6. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    Besides the dominant seventh chords discussed above, other seventh chords—especially minor seventh chords and major seventh chords—are used in guitar music. Minor seventh chords have the following fingerings in standard tuning: Dm7: [XX0211] Em7: [020000] Am7: [X02010] Bm7: [X20202] F ♯ m7: [202220] or ([XX2222] Also an A/F ♯ Chord)

  7. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...