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Renaissance dances belong to the broad group of historical dances, specifically those during the Renaissance period. During that period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone.
Comical 18th-century country dance; engraving by Hogarth. A country dance is any of a very large number of social dances of a type that originated in England in the British Isles; it is the repeated execution of a predefined sequence of figures, carefully designed to fit a fixed length of music, performed by a group of people, usually in couples, in one or more sets.
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
Elizabeth Aldrich (born February 26, 1947) is an American dance historian, choreographer, writer, lecturer, consultant, administrator, curator, and archivist. [1] She is internationally known for her research, performance, choreography, teaching, and lectures on Renaissance and Baroque court dance, nineteenth-century social dance, and twentieth-century ragtime dance.
Historical dance (or early dance) is a term covering a wide variety of Western European-based dance types from the past as they are danced in the present. Today historical dances are danced as performance , for pleasure at themed balls or dance clubs, as historical reenactment , or for musicological or historical research.
Community dance halls begin to grow more common, as a number of new dances become a part of the American music scene. [271] The All-Kansas Music Competition Festival becomes the first contest devoted to music in schools. [263] Leopold Stokowski becomes the conductor of the Philadelphia Orchestra, becoming well known for his showmanship. [272]
Country–western dance originated in the dances and music brought to the United States by the people of the British Isles and continental Europe. In particular, there was a fad for French culture in the United States during the French Revolution of 1789–1799, and many French dances were absorbed into American popular culture.
These bands played lively music, including swing and big band tunes, lifting spirits in the camps. Through performances and dances, they provided moments of joy and escape from the hardships of internment. In 1943, Life magazine featured Lindy Hop on its cover and called it "America's National Folk Dance". Lindy Hop/Jitterbug was a popular ...