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Sampaguitas y otras poesias varias had five successive editions. Its first publication was in Madrid, Spain in 1880, where it was printed by the Imprenta de Fortanet. The second edition was published in 1881, and was printed by Imprenta de Cao y Val. The publisher of the book was Luis Arnedo, a friend of Paterno.
Pedro Alejandro Paterno y de Vera Ignacio [2] [note 1] (February 27, 1857 – April 26, 1911) [note 2] [3] was a Filipino politician. He was also a poet and a novelist. [4]His intervention on behalf of the Spanish led to the signing of the Pact of Biak-na-Bato on December 14, 1897, an account of which he published in 1910.
The piano poemas systematically cover the length and breadth of Argentine geography, from the Tierra del Fuego and Antarctica in the south—in the Poema fueguino, Op. 86, and Poema antártico, Op. 87, both composed in 1925—to the tropical north in the last two poemas: the Poema de la selva primaveral, Op. 93 (Poem of the vernal rainforest ...
así cual tú y gozar! II [ De Manila flor hechicera, de ella encanto y envidia mía, sampaguita feliz que un día ay!, prenda fuiste de mi pasión. Si de dicha y pasión tus hojas marchitarse en su seno visten, juzga cuanto mi pecho triste de celos viéndote, ay!, sufrió.] Ay ve a calmar a este pecho que se agita, feliz sampaguita, más feliz ...
José Palma y Velásquez (Spanish: [xoˈse ˈpalma]: June 3, 1876 – February 12, 1903) was a Filipino poet and soldier. He was on the staff of La independencia at the time he wrote "Filipinas", a patriotic poem in Spanish. It was published for the first time in the issue of the first anniversary of La independencia on September 3
Jasminum sambac is the subject of the danza song La Flor de Manila, composed by Dolores Paterno in 1879. The song was popular during the Commonwealth and is now regarded as a romantic classic. [33] The flower is also the namesake of the song El Collar de Sampaguita.
Jaime Sabines Gutiérrez was born on March 25, 1926, in Tuxtla Gutiérrez, Chiapas.He was of Lebanese [1] and Spanish [citation needed] descent.. Before he devoted himself to the study of literature, he spent three years studying medicine before moving on to his real vocation:literature, studying at UNAM Universidad Nacional Autónoma de México.
Díaz's poems and essays were published in a multitude of journals, including Cromos, Letras, La Cuna de América, Renacimiento, Cosmopolita, Bahoruco, El día ético and Blanco y Negro. For many years, he wrote the "Fatamorgana" column, which first appeared in the Listín Diario, later in La Opinión and finally in La Nación. [4]