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In 2007, The New York Times stated, "Dumpstaphunk is the best funk band from New Orleans right now." [4]From annual performances at New Orleans' Jazz Fest — "The colossal low end and filthy grooves they threw down from the Gentilly Stage must have set a Jazz Fest record for baddest bass jams ever" (Bass Player magazine, 2012) [5] — to music rooms and festivals across the nation (Bonnaroo ...
The song is included in the Rock and Roll Hall of Fame's list of 500 Songs That Shaped Rock and Roll. [11] It is also ranked number 474 on the Rolling Stone magazine's list of "the 500 Greatest Songs of All Time". It was dropped in the 2010 version but it has been updated to number 210 in the 2021 version.
The song has a characteristic bass line and is set to a funk beat.For the most part, it is built entirely on a two-chord vamp: a i-IV in B ♭ Dorian (B ♭ m7 and E ♭ 7). [5] The piece's signature 12-note bass line was played by Hancock on an ARP Odyssey, [6] [7] as was one of the keyboard solos.
Funk creates an intense groove by using strong guitar riffs and basslines played on electric bass. Like Motown recordings, funk songs use basslines as the centerpiece of songs. Indeed, funk has been called the style in which the bassline is most prominent in the songs, [26] with the bass playing the "hook" of the song. [27]
UK funky (sometimes known as UKF or funky [1]) is a genre of electronic dance music which originated in England that is heavily influenced by soca, soulful house, tribal house, funky house, UK garage, broken beat and grime. [1]
It was released as a single under the name "Tear the Roof off the Sucker (Give Up the Funk)". It was the second single to be released from Parliament's 1975 album Mothership Connection (following "P. Funk (Wants to Get Funked Up)"). With its anthemic sing-along chorus, it is one of the most famous P-Funk songs. It also became Parliament's first ...
The Funk Brothers Musical artist Robert Andrew Kreinar (November 26, 1937 – July 16, 2012), known as Bob Babbitt , was an American bassist, most famous for his work as a member of Motown Records ' studio band, the Funk Brothers , from 1966 to 1972, as well as his tenure as part of MFSB for Philadelphia International Records afterwards.
Jamerson Jr. was born in Detroit to legendary session bass player James Jamerson, a cornerstone member of Motown's famed house band, The Funk Brothers. [2] In the early 1970s, Jamerson, Jr. became an in-demand session bassist. In the next three decades he played on the studio albums by Janet Jackson, Smokey Robinson, and Aretha Franklin, to ...