Search results
Results From The WOW.Com Content Network
The film was released in 1990 and is a biopic on the life of the famous poetess and nun Juana Inés de la Cruz. It was based on Octavio Paz 's book essay Sor Juana: Or, the Traps of Faith . The film premiered at the 47th Venice International Film Festival where it received the OCIC Award - Honorable Mention. [ 1 ]
Juana Inés de Asbaje y Ramírez de Santillana, better known as Sor Juana Inés de la Cruz [a] OSH (12 November 1651 – 17 April 1695), [1] was a New Spain (considered Mexican by many authors) [2] writer, philosopher, composer and poet of the Baroque period, as well as a Hieronymite nun, nicknamed "The Tenth Muse" and "The Phoenix of America" by her contemporary critics. [1]
Sor Juana Inés de la Cruz is a Mexican telenovela produced by Televisa and broadcast by Telesistema Mexicano in 1962. It is based on the life of Juana Inés de la Cruz . [ 1 ] [ 2 ]
Juana Inés, is a Mexican television series co-produced by Canal Once and Bravo Films. The series is created by Patricia Arriaga Jordán, based on the life and work of Sor Juana Inés de la Cruz. [1] [2] The series consists of seven episodes and one season. [3] Series production began on November 4, 2015 in the Ex-Hacienda Santa Mónica, in ...
Humanismo y religión en Sor Juana Inés de la Cruz. Ciudad de Mexico: Universidad Nacional Autónoma de Mexico, 1983. Benoist, Valérie. “‘El escribirlo no parte de la osadía: Tradición y mímica en la loa para El divino Narciso de Sor Juana Inés de la Cruz.” Latin American Theatre Review. 33. (1999): 73-90. Web. 27 Nov. 2011
Juana Cruz de la Casa (Spanish: [ˈxwana ˈkɾuθ ðe la ˈkasa]; 12 February 1917 – 18 May 1981), also known as Juanita Cruz (Spanish:), was a Spanish woman bullfighter, considered one of the pioneers in Spanish women's bullfighting.
Los empeños de una casa (House of Desires) is one of Sor Juana Inés de la Cruz's dramatic literary pieces. It was first performed on 4 October 1683, during the birthday celebrations held for the first-born child of the Viceroy Count of Paredes ; [ 2 ] of which coincided with the entry of the new archbishop of Mexico City , Francisco de Aguiar ...
Juana is not interested in money; her main concern is her son Ramón, a young nobleman who lived in the province working as a mechanic, but had to move to the capital after falling in love with Sofia, the daughter of a capo de la Mafia, who is forced to break his heart and demand that he leaves to protect him from her father.