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Unissons nos efforts sur l'immense chantier D'où naîtra toute nouvelle La Grande Humanité. Partout au lieu de la misère, apportons la félicité. Chassons du monde la haine rebelle. Finis l'esclavage et la captivité. À l'étoile de la liberté, Renouons la solidarité Des nations dans la fraternité.
In translation, a source text (ST) is a text written in a given source language which is to be, or has been, translated into another language, while a target text (TT) is a translated text written in the intended target language, which is the result of a translation from a given source text.
La francophonie arabe: pour une approche de la littérature arabe francophone. Presses Univ. du Mirail. ISBN 978-2-85816-779-1; Benchama, Lahcen; Groux, Dominique (June 2011). Formation des enseignants et ouverture sur le monde: Approches comparées. Editions L'Harmattan. ISBN 978-2-296-45988-5
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality.
"Ces gens-là" is a French language song by the late Belgian singer Jacques Brel, published in 1966 by the Éditions Pouchenel of Brussels, about the despair of a hopeless love.
"The Dead Leman", full text (English, different title), in Théophile Gautier's short stories, G.P. Putnam, 1909, translated by George Burnham Ives, via Internet Archive. "The Vampire" , full text (English, different title) in The Romances of Théophile Gautier , Volume Five , Little, Brown & Company, 1912, translated and edited by F.C. de ...
"L'Empereur, sa femme et le petit prince" is a French folk song of the second half of the 19th century, making a reference to Napoleon III, Empress Eugénie and the Prince impérial.
From 1933 to 1936, he worked with the Swiss pianist Johnny Hess as a duo known as Charles and Johnny. They performed at various Parisian venues, such as Le Fiacre, La Villa d'Este, the Européen and the Alhambra. They recorded 18 discs for Pathé, the most successful of which was "Quand les beaux jours seront là/Sur le Yang-Tsé-Kiang".