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These afternoon or "tea gowns" were less form-fitting than evening dresses, featured long, flowing sleeves, and were adorned with sashes, bows, or artificial flowers at the waist. For evening wear the term "cocktail dress" was invented in France for American clientele. With the "New Woman" also came the "Drinking Woman". The cocktail dress was ...
The American cocktail dress could be anything from a "little black dress" to a floral-printed dress or a plain, short evening gown, as long as it was worn with accessories. [7] These might be earrings, pearl necklaces, bracelets, or brooches (stylish in the 1950s). [7] However, it was most common to wear costume jewelry. [3]
Short bolero jackets, capelets, and dresses cut with fitted midriffs or seams below the bust increased the focus on breadth at the shoulder. By the late 1930s, emphasis was moving to the back, with halter necklines and high-necked but backless evening dresses with sleeves.
Praskovia Tchaokovskaia wears a high-necked afternoon dress with puffed elbow-length sleeves and a fabric belt or sash, Russia, 1890–92. Bathing suit, 1890-1895, nautical fashion : navy color and sailor collar and sleeves; Day dresses of 1892 have low waists and high necklines. Sleeves have a high, gathered sleeve-head and are fitted to the ...
Matilde Juva-Branca wears a dark morning dress with a lace blouse or chemisette and cuffs and short leather gloves. Her hair is parted and worn in long sausage curls, 1851. Doña Josefa García Solis wears a simple green satin dress with laced short sleeves over a linen chemise or chemisette. Her lace cap is trimmed with rose-colored tassels ...
The dresses were made of several materials such as brocade, taffeta, silk and velvet. There was a difference between dresses for the day and dresses for the evening. Dark coloured fabrics were usually used for day dresses. In complete contrast to this, the evening dresses were usually white.