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In metallurgy, peening is the process of working a metal's surface to improve its material properties, usually by mechanical means, such as hammer blows, by blasting with shot (shot peening), focusing light (laser peening), or in recent years, with water column impacts (water jet peening) and cavitation jets (cavitation peening). [1]
Threnody to the Victims of Hiroshima, also translated as Threnody for the Victims of Hiroshima [4] [5] (Polish: Tren pamięci ofiar Hiroszimy), is a musical composition for 52 string instruments composed in 1961 by Krzysztof Penderecki.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Enola Gay, a B-29 Superfortress, pictured in 1945. The song is named after the Enola Gay, the USAAF B-29 Superfortress bomber that carried Little Boy, the first atomic bomb to be used in an act of war, dropped on the Japanese city of Hiroshima on 6 August 1945, killing more than 100,000 of its citizens.
Some definitions refer to music as a score, or a composition: [18] [7] [19] music can be read as well as heard, and a piece of music written but never played is a piece of music notwithstanding. According to Edward E. Gordon the process of reading music , at least for trained musicians, involves a process, called "inner hearing" or "audiation ...
Their music video for "Shadow of the Day" from Minutes to Midnight, represents the Doomsday Clock as an actual clock with it reaching midnight at the end of the video. In the Flobots' song "The Circle in the Square", the lyrics say "the clock is now 11:55 on the big hand", which was the Doomsday Clock's setting in 2012 when the song was released.
Temperament, in music, the accommodation or adjustment of the imperfect sounds by transferring a part of their defects to the more perfect ones, in order to remedy, in some degree, the false intervals of those instruments, the sounds of which are fixed; as the organ, harpsichord, piano-forte, etc.
In traditional music, repetition is a device for creating recognizability, reproduction for the sake of the music notes of that specific line and the representing ego. In repetitive music, repetition does not refer to eros and the ego, but to the libido and to the death instinct." Repetitive music has also been linked with Lacanian jouissance.