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A parol (pronounced, US: / p ɑː ˈ r oʊ l / ⓘ, also written as paról or parul, from Spanish farol, meaning lantern) is a Filipino ornamental lantern displayed during the Christmas season. Parols are traditionally constructed using bamboo and Japanese paper , and are illuminated with candles, oil lamps, or carbide lamps .
In Sweden, rose-painting began to be called dalmålning, c. 1901, for the region Dalecarlia where it had been most popular, and kurbits, in the 1920s, for a characteristic trait, but in Norway the old name still predominates beside terms for local variants. Rose-painting was used to decorate church walls and ceilings.
The Visual Artists Rights Act of 1990 (VARA; Pub. L. 101–650 title VI, 17 U.S.C. § 106A), is a United States law granting certain rights to artists. VARA was the first federal copyright legislation to grant protection to moral rights. Under VARA, works of art that meet certain requirements afford their authors additional rights in the works ...
Famille jaune, noire, rose, verte are terms used in the West to classify Chinese porcelain of the Qing dynasty by the dominant colour of its enamel palette. These wares were initially grouped under the French names of famille verte ("green family"), and famille rose (pink family) by Albert Jacquemart in 1862.
The decorative famille rose patterns used in export wares may be differentiated by the following terms: Rose Canton which is decorated with flowers, birds and insects but with no human figures; Rose Mandarin with human figures as the main subject and introduced in the late 18th century; and Rose Medallion which has different panels that may be ...
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.
The exuberant bouquet of roses is said to be one of Van Gogh's largest, most beautiful still life paintings. Van Gogh made another painting of roses in Saint-Rémy, which is on display at the Metropolitan Museum of Art in New York. [1] When Van Gogh left Saint-Rémy on May 16 both rose paintings with very thick paint were left behind to dry.
Lost for nearly a century, this painting was later located in an old Canadian farmhouse. In 1973, a couple was buying the farmhouse and asked its previous owners to keep the painting, which they admired, within the house.