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Franklin Gothic Condensed + Extra Condensed (1906, Benton) Franklin Gothic Italic (1910, Benton) Franklin Gothic Condensed Shaded (1912, Benton) Freehand (1917, Benton) Gallia (1927, Wadsworth A. Parker), some sources attribute this to Benton. Garamond series, based upon the designs of 16th-century type founder, Claude Garamond.
A sample of News Gothic. A sample of Bank Gothic. A sample of Franklin Gothic.. All of Benton's typefaces were cut by American Type Founders.. Roycroft (c. 1898), inspired by lettering in the Saturday Evening Post and often credited to Lewis Buddy, though (according to ATF) designed “partly” by Benton.
The font has been used in the TV shows Rhoda, My Life as a Teenage Robot, and Miami Vice. [citation needed] Several variants were made: [1] Broadway (1928, Morris Fuller Benton, ATF), capitals only. Broadway Engraved (1928, Sol Hess, Monotype). Broadway (with lowercase) (1929, Hess, Monotype). Broadway Condensed (1929, Benton, ATF).
Venus Bold on an American metal type specimen sheet. Shown are the recut 'E' and 'F' with vertical rather than diagonal terminals on the horizontal strokes.
Fallback font (freeware fallback font for Windows) Free UCS Outline Fonts aka FreeFont (free/open source, "FreeSerif" includes 3,914 glyphs in v1.52, MES-1 compliant) Gentium (free/open source, "Gentium Plus" includes over 5,500 glyphs in November 2010) GNU Unifont (free/open source, bitmapped glyphs are inclusive as defined in unicode-5.1 only)
Bank Gothic is a rectilinear geometric sans-serif typeface designed by Morris Fuller Benton for American Type Founders and released in 1930. [1] The design has become popular from the late twentieth century to suggest a science-fiction, military, corporate, or sports aesthetic.
Franklin Gothic Condensed Italic (1967) designed by Whedon Davis It can be distinguished from other sans serif typefaces by its more traditional double-storey a and especially g (double-storey g s, common in serif fonts, are rare in sans-serif fonts following German models, but were quite common in American and British designs of the period ...
A variety of Clarendon revivals have been made since the original design, often adapting the design to different widths and weights. The original Clarendon design, a quite condensed design, did not feature an italic, and many early Clarendon designs, such as wood type headline faces, have capitals only with no lower-case letters, leaving many options for individual adaptation.