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The Farkas set is the basis of most lip buzzing embouchures. Mendez did teach lip buzzing by making the student lip buzz for a month before they could play their trumpet and got great results. [23] One can initiate this type of buzz by using the same sensation as spitting seeds, but maintaining a continued flow of air.
Split tones can sound similar to a technique called growling, in which additional noise is produced from the throat while playing. The double buzz is distinctly different in that all noise and vibrations are initiated by the embouchure. Liza Lim makes extensive use of split tones in Ehwaz for trumpet and percussion. [3]
Mouth trumpet is a vocal technique that imitates the sound of the trumpet.. The mouth trumpet sound is produced by using the vocal cords to produce the desired pitch and passing the sound through the lips that are held together with just enough tension so that they vibrate at the same frequency as the vocal cords, producing a trumpet-like sound.
In brass playing, it involves vibration of the membrane area of the lips. Embouchure collapse in its various forms and extremities generally results in difficulty in playing for extended periods (especially if playing loudly and/or in the high register) or a complete inability to play.
[not specific enough to verify] The process of making the large open end (bell) of a brass instrument is called metal beating. In making the bell of, for example, a trumpet, a person lays out a pattern and shapes sheet metal into a bell-shape using templates, machine tools, handtools, and blueprints. The maker cuts out the bell blank, using ...
Satchmo's syndrome is a disorder due to the rupture of orbicularis oris muscle in trumpet players. [1] This syndrome is named after the nickname of Louis Armstrong, the trumpet player from New Orleans, because apparently it fits with the symptoms he experienced in 1935.