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Whilst the principles of good typography remain into the digital age, new tools are available to the typographer. Digital character encoding means that the presentation of text is independent of the meaning of that text; thus the same text can be used readily in different contexts but using different typefaces as appropriate to each context.
The Elements of Typographic Style is a book on typography and style by Canadian typographer, poet and translator Robert Bringhurst. Originally published in 1992 by Hartley & Marks Publishers , it was revised in 1996, 2001 (v2.4), 2002 (v2.5), 2004 (v3.0), 2005 (v3.1), 2008 (v3.2), and 2012 (v4.0).
The spaces created between and around strokes are called counters (also known as counterforms). These negative forms help to define the proportion, density, and rhythm of letterforms. The counter is an integral element in Western typography, however this concept may not apply universally to non-Western typographic traditions.
Modern Typography is a 1920s principle that expresses a reaction against what its proponents perceived as a decadence of typography and design emerging from the late 19th century. This amalgam consists of the foundations and overall notions of Design Concept, Typeface, Objective, Model of Vision, and its significance among readers.
In typesetting and page layout, alignment or range is the setting of text flow or image placement relative to a page, column (measure), table cell, or tab (and often to an image above it or under it).
Harris Carleton Dair (February 14, 1912 – September 28, 1967), known as Carl Dair, was a Canadian graphic designer, teacher, type designer, and author. [1] [2] Primarily a self-taught designer, Dair was internationally known and developed visual design principles for typography which are still in use today.
A good comparison is the structure that defines a math problem. One only uses specific equations for specific types of problems. One similarly only can work through these equations in specific ways. With the International Typographic and other related philosophies, a design context is critical to deriving a response. [original research?]
Typography, as an aspect of cartographic design, is the craft of designing and placing text on a map in support of the map symbols, together representing geographic features and their properties. It is also often called map labeling or lettering , but typography is more in line with the general usage of typography .