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The walls and ceiling are painted with a trompe-l'œil scheme depicting trunks, leaves, fruits, and knots, as if it was in the open air and not within a castle. [2] Art historian Rocky Ruggiero describes the decoration of the square, fifteen-by-fifteen-meters room as creating the effect of a natural pergola as an architectural feature. [ 3 ]
Figure from Prestongrange House, the ceiling is dated 1581 Scottish renaissance painted ceilings are decorated ceilings in Scottish houses and castles built between 1540 and 1640. This is a distinctive national style, though there is common ground with similar work elsewhere, especially in France , Spain and Scandinavia . [ 1 ]
French Bronze is a form of bronze typically consisting of 91% copper, 2% tin, ... and some older texts call the faux-bronze finish itself "French bronze".
Faux painting became popular in classical times in the forms of faux marble, faux wood, and trompe-l'œil murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who could actually trick viewers into believing their work was the real thing.
There, faux marble columns are made from wood pillars that are covered in a layer of polychrome stucco, a mixture of plaster, lime, and pigment. When these ingredients are mixed, a homogenous-coloured paste is created. To achieve the marble look, thinner batches of darker and lighter paste are made, so that veins begin to appear.
This process made it easy to then go over the oil and make it resemble wood or different types of leather. On the ceilings that were 8–14 feet the color was tinted three shades lighter than the color that was on the walls and usually had a high quality of ornamentation because decorated ceilings were favored.