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Kilim are therefore called flatweave or flatware rugs. [1] To create a sharp pattern, weavers usually end each pattern element at a particular thread, winding the coloured weft threads back around the same warps, leaving a narrow gap or slit. These are prized by collectors for the crispness of their decoration.
In Turkmen weavings, such as bags and rugs, guls are often repeated to form the basic pattern in the main field (excluding the border). [4] [5]The different Turkmen tribes such as Tekke, Salor, Ersari and Yomut traditionally wove a variety of guls, some of ancient design, but gul designs were often used by more than one tribe, and by non-Turkmens.
Ardabil rugs feature motifs that are very similar to Persian rugs woven in the Caucasus, but with more motifs and objects woven into the borders. The colors are also lighter. The patterns are predominantly geometric and the most common layouts on Ardabil rugs are medallions, multiple connected diamond-shaped medallions, and all-over octagonal ...
Also typical is a broad ornamental main border with detailed, filigree patterns flanked by two secondary borders with meandering vines and flowers. Rugs from Keçimuslu are often sold as Konya rugs, and show a similar bright madder red field, but with prominent green colours in the main border. [66] [76] Konya-Ladik rugs often show prayer rug ...
Antique Persian Kerman rug. Vase carpets, a type of Kerman rug distinctive of the 16th and 17th centuries, are characterized by an allover pattern of stylized flowers and oversized palmettes with vases placed throughout the field.
Rug design can also be described by how the surface of the rug is arranged and organized. One single, basic design may cover the entire field (“all-over design”). When the end of the field is reached, patterns may be cut off intentionally, thus creating the impression that they continue beyond the borders of the rug.