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In English poetry, trochaic tetrameter is a meter featuring lines composed of four trochaic feet. The etymology of trochaic derives from the Greek trokhaios, from the verb trecho, meaning I run. [1] [2] [3] In modern English poetry, a trochee is a foot consisting of a stressed syllable followed by an unstressed syllable. Thus a tetrameter ...
In ancient Greek and Latin literature, the trochaic septenarius (also known as the trochaic tetrameter catalectic) is a form of ancient poetic metre first used in 7th century BC Greek literature. It was one of the two most common metres of Roman comedy of the early 1st century BC and was also used for the marching songs sung by soldiers at ...
Trochaic tetrameter in Macbeth. In poetic metre, a trochee (/ ˈ t r oʊ k iː /) is a metrical foot consisting of a stressed syllable followed by an unstressed one, in qualitative meter, as found in English, and in modern linguistics; or in quantitative meter, as found in Latin and Ancient Greek, a heavy syllable followed by a light one (also described as a long syllable followed by a short ...
Trochaic tetrameter (in Latin also known as Trochaic septenarius) Iambic tetrameter catalectic (in Latin also known as Iambic septenarius) Choliambic (also known as Scazon), a variation on the Iambic trimeter; These are not the only stichic metres used in Greek and Latin poetry. Among others are: Eupolidean; Sotadean; Anapaestic septenarius
The meter of the poem is largely trochaic tetrameter. A number of lines, such as line four in the first stanza, fall into iambic tetrameter. [10] The poem is structured around questions that the speaker poses concerning the "Tyger," including the phrase "Who made thee?"
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The Song of Hiawatha is an 1855 epic poem in trochaic tetrameter by Henry Wadsworth Longfellow which features Native American characters. The epic relates the fictional adventures of an Ojibwe warrior named Hiawatha and the tragedy of his love for Minnehaha, a Dakota woman.
The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry.