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Luigi Pirandello (Italian: [luˈiːdʒi piranˈdɛllo]; 28 June 1867 – 10 December 1936) was an Italian dramatist, novelist, poet, and short story writer whose greatest contributions were his plays. [1]
Luigi Pirandello was an Italian playwright, prose writer and poet. Pirandello wrote more than 100 short stories, 40 plays and seven novels, including The Late Mattia Pascal (1904). Regarded as a major figure in 20th-century theatre, his plays explore psychology, the ego and identity issues and paved the way for absurd theatre in the 1950s.
Sei personaggi in cerca d'autore at Project Gutenberg (In original Italian; Pirandello's revised version) Pirandello, Luigi. "Pirandello Confesses . . .: Why and How He Wrote 'Six Characters in Search of an Author'", Virginia Quarterly Review, Spring 1925. Six Characters in Search of an Author public domain audiobook at LibriVox
Luigi Pirandello (1867–1936) Fernanda Pivano (1917–2009) Joseph Pivato (born 1946) ... Lists of authors; References This page was last edited on 23 January ...
The Late Mattia Pascal (Italian: Il fu Mattia Pascal [il ˈfu mmatˈtiːa paˈskal]) is a 1904 novel by Luigi Pirandello. It is one of his best-known works and was his first major treatment of the theme of the mask. [1]
One, No One and One Hundred Thousand (Italian: Uno, nessuno e centomila [ˈuːno nesˈsuːno e tˌtʃɛntoˈmiːla]) is a 1926 novel by the Italian writer Luigi Pirandello.It is Pirandello's last novel; his son later said that it took "more than 15 years" to write. [1]
The Rules of the Game (Italian: Il gi(u)oco delle parti [il ˈdʒ(w)ɔːko ˈdelle ˈparti]) is a play by Luigi Pirandello.It was written and first performed during 1918 (and first published in 1919) at the time when his wife was suffering from mental illness, but before she was committed to a mental hospital.
Luigi Pirandello (1867–1936) Italy: Italian "for his bold and ingenious revival of dramatic and scenic art" [40] drama, novel, short story 1935: Not awarded: 1936: Eugene O'Neill (1888–1953) United States: English "for the power, honesty and deep-felt emotions of his dramatic works, which embody an original concept of tragedy" [41] drama 1937