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Isorhythms first appear in French motets of the 13th century, such as in the Montpellier Codex. [1] Although 14th-century theorists used the words talea and color—the latter in a variety of senses related to repetition and embellishment [2] —the term isorhythm was coined in 1904 by musicologist Friedrich Ludwig, initially to describe the practice in 13th-century polyphony.
Rhyme is a form of art that one can use to communicate to the reader or audience. [4] It also serves as a powerful mnemonic device, facilitating short-term memory. [ 5 ] The regular use of tail rhyme helps to mark off the ends of lines, thus clarifying the metrical structure for the listener.
This was done in order to see the psychic effects of color and form. [8]: 70–71 The repetitive use of squares, lines, and shapes focus on the form of the painting. This was done to highlight the role of form and its direct influence on color. For Albers, form required a repeated performance, which also trains the eye for both color and form.
Repetition–Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion. Rhyme–Rhyme uses repeating patterns to bring out rhythm or musicality in poems. It is a repetition of similar sounds occurring in lines in a poem which gives the poem a symmetric quality.
Hue is the name of a color (red, yellow, and blue, etc.). Brightness and chroma refer to the intensity and strength of the color. A high chroma color is more pure and less greyed than a low chroma color. The lightness or darkness to a color is the value. Color also has the ability to work within our emotions. Given that, we can use color to ...
Simple melodic pattern. Play ⓘ Melodic sequence on the lines "Send her victorious," and "Happy and glorious," from "God Save the Queen" Play ⓘ. In music and jazz improvisation, a melodic pattern (or motive) is a cell or germ serving as the basis for repetitive pattern.
The exhibition focused on the perceptual aspects of art, which result both from the illusion of movement and the interaction of color relationships. Op art, also known as optical art, is a style present in some paintings and other works of art that use optical illusions. Op art is also closely akin to geometric abstraction and hard-edge ...
A false sequence is a literal repetition of the beginning of a figure and stating the rest in sequence: [1] J.S. Bach Prelude from Cello Suite in G J.S. Bach Prelude from Cello Suite in G, BWV 1007. A modulating sequence is a sequence that leads from one tonal center to the next, with each segment technically being in a different key in some ...