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The Commercial and Government Entity Code, or CAGE Code, is a unique identifier assigned to suppliers to various government or defense agencies, as well as to government agencies themselves and various organizations. CAGE codes provide a standardized method of identifying a given facility at a specific location.
The CAGE Distance Framework identifies Cultural, Administrative, Geographic and Economic differences or distances between countries that companies should address when crafting international strategies. [1] It may also be used to understand patterns of trade, capital, information, and people flows. [2]
The Unit Identification Code (UIC) is a six character alphanumeric code that uniquely identifies each United States Department of Defense entity. The UIC is often used on various paperwork to assign a soldier to a specific company in which they fall under. The first character is the Service Designator: [1] A: US Department of Agriculture
Currie quickly swam out of the top of the cage and was pulled to safety by the boat's captain, who fended off the shark with blows to its head. [23] In 2007, a commercial shark cage was destroyed off the coast of Guadalupe Island after a 4.6-metre (15 ft) great white shark became entangled and tore the cage apart in a frantic effort to free itself.
Cage Without a Key is a 1975 American made-for-television drama film directed by Buzz Kulik and starring Susan Dey and Sam Bottoms, with Jonelle Allen and Lani O'Grady in supporting roles. The film premiered on the CBS television network the evening of March 14, 1975, [ 1 ] later repeating at various times on The CBS Late Movie .
The Finder series (Japanese: ファインダーシリーズ, Hepburn: Faindā Shirīzu) is a Japanese manga written and illustrated by Ayano Yamane. It is serialized in the semimonthly yaoi manga magazine Be × Boy Gold since 2001. Several adaptations of the manga have been released, including original video animations, light novels, and audio ...
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist.A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde.
The site's critical consensus reads: "Mike Nichols wrangles agreeably amusing performances from Robin Williams and Nathan Lane in this fun, if not quite essential, remake of the French-Italian comedy La Cage aux Folles." [22] Metacritic reports a score of 72/100 based on reviews from 18 critics, indicating "generally favorable reviews". [23]