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A yukata (浴衣, lit. ' bathrobe ') is an unlined cotton summer kimono, [1] worn in casual settings such as summer festivals and to nearby bathhouses. The name is translated literally as "bathing cloth" and yukata originally were worn as bathrobes; their modern use is much broader, and are a common sight in Japan during summer.
Kasuri (絣) is the Japanese term for fabric that has been woven with fibers dyed specifically to create patterns and images in the fabric, typically referring to fabrics produced within Japan using this technique. It is a form of ikat dyeing, traditionally resulting in patterns characterized by their blurred or brushed appearance. [1]
Humanity and life lie at the intersection of the natural and the supernatural, according to the underlying Kuba myth. As a result, rectilinear lines in Kuba art depict natural patterns. Both in art and nature, these lines occasionally disrupt what we take to be geometric order. [5] The improvised patterns are mostly made using three methods:
A-2 jacket; A-line (clothing) Abacá; Abaca slippers; Abacost; Abaniko; Abarka; Abaya; Abolla; Aboyne dress; Academic dress; Academic scarf; Academic stole; Achkan ...
Hakama are worn with any type of kimono except yukata [2] (light cotton summer kimono generally worn for relaxing, for sleeping or at festivals or summer outings). While glossy black-and-white striped sendaihira hakama are usually worn with formal kimono, stripes in colours other than black, grey and white are worn with less formal wear.
The yukata (浴衣) is an informal kimono worn specifically in the spring and summer, and it is generally less expensive than the traditional kimono. Because it was made for warm weather, yukata are almost entirely made of cotton of an often lighter weight and brighter color than most kimono fabrics. It is worn for festivals and cherry blossom ...
Twentieth-Century Pattern Design, Princeton Architectural Press, New York, 2002. ISBN 1-56898-333-6; Jackson, Lesley. Shirley Craven and Hull Traders: Revolutionary Fabrics and Furniture 1957-1980, ACC Editions, 2009, ISBN 1-85149-608-4; Jenkins, David, ed. The Cambridge History of Cambridge, UK: Cambridge University Press, 2003, ISBN 0-521-34107-8
The fabrics can then be sheared or embossed to resemble fur even more closely. The heat-sensitivity of modacrylic also allows wigs and hairpieces to be curled and heat styled without damage. [3] Modacrylics are also used in fleece, knit-pile fabric backings, and nonwoven fabrics.