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They are displayed in several parts of the palace, including the new Cumberland Art Gallery. [1] In September 2015, the Royal Collection recorded 542 works (only those with images) as being located at Hampton Court, mostly paintings and furniture, but also ceramics and sculpture. The full current list can be obtained from their website. [2]
The painting shows two kings (or a queen and a king), one of whom is holding a shining glass globe in which there is a village, and the other holding a sword. The left king is wearing blue garments while the right is wearing red garments. Both of them are looking at the globe, which is the only source of light, with curiosity.
The artist’s royal works have since included a portrait marking William becoming a father, a live painting of the state funeral of the late Queen, and Charles’s coronation procession.
Charles I in Three Positions, also known as the Triple Portrait of Charles I, is an oil painting of Charles I of England painted 1635–1636 [1] by the Flemish artist Sir Anthony van Dyck, showing the king from three viewpoints: left full profile, face on, and right three-quarter profile. It is currently part of the Royal Collection. [2]
Camille Roqueplan: The Lion in Love (1836). Oil on canvas, 195,5 × 153 cm. Wallace Collection, London. The Lion in Love is an 1836 oil on canvas painting in the Academic-Romantic style by Camille Roqueplan (1800–1855) now in the Wallace Collection in London. [1] Camille Roqueplan: The Lion in Love, o. J.; Preparatory drawing in chalk. Musée ...
One of his last paintings was a life-size equestrian portrait of the Queen, shown at the Royal Academy in 1873, made from earlier sketches. [ 13 ] Landseer was particularly associated with Scotland, which he had first visited in 1824 and the Highlands in particular, which provided the subjects (both human and animal) for many of his important ...
Irworobongdo in the throne hall of Gyeongbokgung Palace. Irworobongdo (Korean: 일월오봉도; Hanja: 日月五峯圖) is a Korean folding screen with a highly stylized landscape painting of a sun and moon, five peaks which always was set behind Eojwa, the king’s royal throne during the Joseon Dynasty.
The very informal Las Meninas show the artist painting the King and Queen Mariana, with their daughter watching. Adoration of the Magi by Rubens. Velázquez was twice given permission to visit Italy, in 1629-30 and 1649-51. On the second visit he was used as a agent of the King to buy art, which he did on a large scale, with excellent judgement.