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Byzantine music (Greek: Βυζαντινή μουσική, romanized: Vyzantiné mousiké) originally consisted of the songs and hymns composed for the courtly and religious ceremonial of the Byzantine Empire and continued, after the fall of Constantinople in 1453, in the traditions of the sung Byzantine chant of Eastern Orthodox liturgy.
A canon (Greek: κανών, romanized: kanōn) is a structured hymn used in a number of Eastern Orthodox services. It consists of nine odes, based on the Biblical canticles. Most of these are found in the Old Testament, but the final ode is taken from the Magnificat and Song of Zechariah from the New Testament. [a]
St. John Chrysostom, Icon by Dionisius. Liturgy of St John Chrysostom, Op. 31 (Russian: Литургия Иоанна Златоуста), is a 1910 musical work by Sergei Rachmaninoff, one of his two major unaccompanied choral works (the other being his All-Night Vigil).
The Book of Odes (Ancient Greek: Ὠδαί), also known as the Biblical Odes, refers to a collection of hymns and prayers referencing the Bible and used as a part of liturgies in some denominations. The biblical odes form the basis for the Eastern Orthodox canon sung during matins and other services.
The Eucharistic Prayer: A Mercy Of Peace; We sing for Thee Hymn to the Mother of God: It is worthy The Lord's Prayer: Our Father One is holy Communion Hymn:Praise the Lord Blessed is He who comes in the name of the Lord We have seen the True Light Hymn of Praise: Let our mouths be filled with praise Litany of thanksgiving Blessed be the name of ...
Old Testament Trinity icon by Andrei Rublev, c. 1400 (Tretyakov Gallery, Moscow). The Trisagion (Greek: Τρισάγιον; 'Thrice Holy'), sometimes called by its incipit Agios O Theos, [1] is a standard hymn of the Divine Liturgy in most of the Eastern Orthodox, Western Orthodox, Oriental Orthodox, and Eastern Catholic churches.
Tchaikovsky's setting of the Divine Liturgy, along with his All-Night Vigil and his nine sacred songs, were of seminal importance in the later interest in Orthodox music. [ 8 ] [ 22 ] [ 23 ] Other composers, encouraged by the freedom created by the new lack of restriction on sacred music, soon followed Tchaikovsky's example. [ 9 ]
The book Octoechos (from the Greek: ἡ [βίβλος] Ὀκτώηχος Ancient Greek pronunciation:; [1] from ὀκτώ 'eight' and ἦχος 'sound, mode' called echos; Church Slavonic: Осмѡгласникъ, Osmoglasnik from о́смь 'eight' and гласъ 'voice, sound') is a liturgical book containing a repertoire of hymns ordered in eight parts according to eight echoi (tones or ...