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Blue Period (Japanese: ブルーピリオド, Hepburn: Burū Piriodo) is a Japanese manga series written and illustrated by Tsubasa Yamaguchi. The series has been serialized in Kodansha 's seinen manga magazine Monthly Afternoon since June 2017 and has been collected in sixteen tankōbon volumes as of November 2024.
Tsubasa Yamaguchi was born on June 26 in Tokyo. [1] [2] After graduating from Tokyo University of the Arts, [2] she published two one-shots in Good!Afternoon. [3] [4] In 2016, she launched her first full series in Monthly Afternoon, which was a manga adaptation of Makoto Shinkai's She and Her Cat.
Woman Ironing (French: La repasseuse) [1] is a 1904 oil painting by Pablo Picasso that was completed during the artist's Blue Period (1901—1904). This evocative image, painted in neutral tones of blue and gray, depicts an emaciated woman with hollowed eyes, sunken cheeks, and bent form, as she presses down on an iron with all her will.
Blue Period may refer to: Picasso's Blue Period, the work of Pablo Picasso between 1901 and 1904; Blue Period, by Miles Davis, 1953; Blue Period, by Tsubasa Yamaguchi, 2017 "Blue Period" (song), by The Smithereens, 1990
Blue Exorcist (Japanese: 青の 祓魔師 （ エクソシスト ）, Hepburn: Ao no Ekusoshisuto) is a Japanese dark fantasy manga series written and illustrated by Kazue Kato. The story revolves around Rin Okumura , a teenager who discovers that he and his twin brother Yukio are the sons of Satan , born from a human woman, and he is the ...
The episodes were simulcast with English subtitles online via Hulu, Anime News Network, and Crunchyroll, starting on April 20, 2011. [ 1 ] and Aniplex of America release Blue Exorcist on DVD in four sets, starting by releasing the first DVD on October 18, 2011. [ 3 ]
The English version, titled "Blue", was released on October 29, 2021. [5] " Gunjō" was certified diamond by the Recording Industry Association of Japan (RIAJ) after surpassing 500 million streams in the country, the duo's second song after " Yoru ni Kakeru ".
"De Daumier-Smith's Blue Period" is a short story by J. D. Salinger, first published in the May 1952 edition of World Review (London). Declined by The New Yorker on November 14, 1951, as the piece was judged too short to adequately address the complex religious concepts that Salinger attempted to convey. [ 1 ]