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Kitts describes Doug Clifford's drums as "pounding," Stu Cook's bass guitar as "thumping" and Tom Fogerty's rhythm guitar chords as "slashing." [3] Music writer Steven L. Hamelman praises Clifford's drumming on the song as "a brilliant groove, never wavering." [3] The song popularized the term "chooglin', which may have been invented by Fogerty."
"Get Out of Town" is a 1938 popular song written by Cole Porter, for his musical Leave It to Me!, where it was introduced by Tamara Drasin. Notable recordings
You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard.This demo was originally released on cassette by Elsinor Records.
The biggest hit version of the song was recorded by Rick Nelson in 1963. Nelson's version went to number six on the US pop chart and spent two weeks at number one on the Middle-Road chart in early 1964; [ 14 ] this would be Nelson's final single to reach the Top 10 until " Garden Party " in 1972.
Carter and Lewis were initially songwriters. The early 1960s saw the rise of the Liverpool Sound, and Carter and Lewis recorded copies of the latest group hits and performed them for the BBC Light Programme's shows Easy Beat and Saturday Club; working with jazz musicians such as Marion Montgomery, Marion Ryan and session musicians such as Kenny Clare (drums) and Roy Deltrice (bass), under the ...
"We Gonna Move to the Outskirts of Town" is a song originally recorded on September 3, 1936, by Piedmont blues musician Casey Bill Weldon. [1] Weldon performed it as a solo piece, with vocals and acoustic guitar plus piano and double bass accompaniment.
"The Ballad of Mad Dogs and Englishmen" is a song written by Leon Russell from the soundtrack of the 1971 film Mad Dogs & Englishmen. The Shelter People referenced in the album title are the session musicians for Shelter, the label founded by Russell and Denny Cordell in 1969. However, only five of the album's eleven tracks are credited to them.
They felt the song was suited for rock and contemporary hit radio, with club potential. [6] Jerry Smith of Music Week wrote, "The fact that this is the main featured song from the hit movie Fletch should mean that this should do just as well despite being a repetitive, rather lacklustre funk number."