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The following is the list of highest-grossing Hindi cinema films released in 2024. Background shading indicates that a film is currently showing in theatres worldwide. Highest grossing Hindi cinema films of 2024
Get shortened URL; Download QR code; Print/export ... [11] D E C: 4: Chamunda: Maddock Films [10] 25: Tu Meri Main Tera, Main Tera Tu Meri: Sameer Vidwans:
Highest grossing Indian films of 2024; Rank Title Production company Distributor(s) Language Worldwide Gross Domestic Gross [1] [2] Ref. 1 Pushpa 2: The Rule: Mythri Movie Makers Sukumar Writings Mythri Movie Makers: Telugu ₹1,642–1,800 crore ₹1,381 crore [a] 2 Kalki 2898 AD: Vyjayanthi Movies: Annapurna Studios ₹1,042–1,200 crore ...
The song is a copy thachin of "Dust in the Wind" by the American band Kansas. [7] The song's title is variably translated as "We Won't Be Satisfied Until the End of the World," [8] "The World Will Not End," [1] "The World Is Unforgiving," [9] and "Until the End of the World". [7] Naing Myanmar wrote the song when he was 30 years old.
The Signature is a 2024 Hindi-language drama film directed by Gajendra Ahire and produced by K. C. Bokadia and Anupam Kher Studio. [1] [2] It is a Hindi adaptation of the National Award-winning 2013 Marathi film Anumati, which originally starred Vikram Gokhale. [3]
Rock music, called stereo in Burmese, has been a popular form of music since the 1980s, having been introduced in the 1960s. [10] Pop music emerged in the 1970s and was banned by state-run radio stations. However, many artists circumvented this censorship by producing albums in private studios and releasing them in music production shops. [11]
Bhakshak (transl. Devourer) is a 2024 Indian Hindi language crime thriller film based on the Muzaffarpur shelter case. [2] It is directed by Pulkit and produced by Gauri Khan and Gaurav Verma under banner Red Chillies Entertainment , [ 3 ] the film stars Bhumi Pednekar , Sanjay Mishra , Aditya Srivastava and Sai Tamhankar .
Copy thachin, or simply "copy music" is a genre of music in Myanmar that originates from the early 1980s. It merges the melody and instrumentals of international songs with Burmese vocals. Proponents of copy thachin argue that the style is separate from cover songs due to it having unique vocal arrangements and lyrics.