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Australian official war artists, 1916–1918 by George Coates, 1920. Oil on canvas, 124.2 x 104.5 cm. The group portrait presents, left to right: front — George Bell; standing — John Longstaff, Charles Bryant, George Washington Lambert, A. Henry Fullwood, James Quinn, H. Septimus Power, Arthur Streeton; and seated back — Will Dyson, Fred Leist.
Crozier (centre) at Imbros. Francis Rossiter Crozier (c. July 1883 – 22 October 1948) was a war records artist who is represented in the Australian War Memorial's art collection along with other Australian official war artists such as H. Septimus Power, Arthur Streeton, George Washington Lambert and Ivor Hele.
George Frederick Henry Bell OBE (1 December 1878 – 22 October 1966) was an Australian painter and teacher, critic, portraitist, violinist and war artist [1] who contributed significantly to the advancement of the local Modern movement from the 1920s to the 1930s.
Dargie was an official Australian war artist during World War II and painted multiple portraits of Elizabeth II, Queen of Australia, as well as the official portraits of two Prime Ministers of Australia and two Governors-General of Australia. Dargie painted in a conservative style and is now largely forgotten despite his substantial artistic ...
Soon after World War I started, Fullwood joined the Allied Art Corps; later he was a sergeant in the Royal Army Medical Corps based at the 3rd London General Hospital, Wandsworth, and later an Australian official war artist. [4] He returned to Sydney in 1920 and worked chiefly in water-colour and etching. [2]
War artists have depicted all the conflicts in which Australians have been called to combat. The Australian tradition of "official war artists" started with the First World War. Artists were granted permission to accompany the Australian Imperial Force to record the activities of its soldiers.
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Anzac, the Landing 1915 by George Lambert (1920–1922).. Lambert became an official Australian war artist in 1917 during the First World War. [2] His painting Anzac, the landing 1915 of the landings on the Gallipoli peninsula in Turkey, is the largest painting at the Australian War Memorial collection.