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Oh My Zsh logo. A user community website known as "Oh My Zsh" collects third-party plug-ins and themes for the Z shell. As of 2024, their GitHub repository has over 2300 contributors, over 300 plug-ins, and over 140 themes. It also comes with an auto-update tool that makes it easier to keep installed plug-ins and themes updated. [16]
Korn Shell running on Windows Services for UNIX. KornShell was originally proprietary software.In 2000 the source code was released under a license particular to AT&T, but since the ksh93q release in early 2005 it has been licensed under the Eclipse Public License. [4]
Example Plug-In Framework. The host application provides services which the plug-in can use, including a way for plug-ins to register themselves with the host application and a protocol for the exchange of data with plug-ins. Plug-ins depend on the services provided by the host application and do not usually work by themselves.
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The Unix system had been written almost exclusively in C, so the C shell's first objective was a command language that was more stylistically consistent with the rest of the system. The keywords, the use of parentheses, and the C shell's built-in expression grammar and support for arrays were all strongly influenced by C.
The Oh-My-God particle was an ultra-high-energy cosmic ray detected on 15 October 1991 by the Fly's Eye camera in Dugway Proving Ground, Utah, United States. [1] [2] [3] As of 2025, it is the highest-energy cosmic ray ever observed. [4] Its energy was estimated as (3.2 ± 0.9) × 10 20 eV (320 exa-eV). The particle's energy was unexpected and ...
During pre-production, Tarantino and Rodriguez came up with the idea of inserting a "missing reel" into the film. "[Quentin] was about to show an Italian crime movie with Oliver Reed," Rodriguez recalls, "and he was saying, 'Oh, it's got a missing reel in it. But it's really interesting because after the missing reel, you don't know if he slept ...
Mary Sibande (born 1982) [1] is a South African artist based in Johannesburg.Her art consists of sculptures, paintings, photography, and design. Sibande uses these mediums and techniques to help depict the human form and explore the construction of identity in a postcolonial South African context.