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Dido and Aeneas (Z. 626) [1] is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain.
Lea Desandre performs "Dido's Lament" with Les Arts Florissants in 2020. Dido's Lament ("When I am laid in earth") is the closing aria from the opera Dido and Aeneas by Henry Purcell to a libretto by Nahum Tate. Dido's Lament chromatic fourth ground bass, measures 1–6 [1]
The Meeting of Dido and Aeneas is an 1766 neoclassical history painting by the British artist Nathaniel Dance-Holland. [1] It portrays the mythical meeting between Dido, Queen of Carthage and the Trojan Aeneas, inspired by the Aeneid by the Roman poet Virgil. [2] [3] Primarily known as a portrait painter, Dance-Holland spent the years from 1754 ...
Nahum Tate (/ ˈ n eɪ. əm ˈ t eɪ t / NAY-əm TAYT; 1652 – 30 July 1715) was an Anglo-Irish poet, hymnist, and lyricist, who became Poet Laureate in 1692. Tate is best known for The History of King Lear, his 1681 adaptation of Shakespeare's King Lear, and for his libretto for Henry Purcell's opera, Dido and Aeneas.
Welcomed by Dido, Carthage's Queen, with a feast, Aeneas tells the tale of Troy's fall "With Words so sweet and Sighs so deep, / that oft he made them all to Weep" (lines 23–24). Following Aeneas's grand tale, all leave the feast and go to sleep, save for Dido who finds herself unable to sleep, kept awake by her desire for Aeneas.
Dido and Aeneas is an 1814 history painting by the British painter J.M.W. Turner that portrays a scene inspired by the Aeneid by the Roman poet Virgil. [1] Turner depicts a panoramic view of the city of Ancient Carthage with the lovers Dido and Aeneas in the bottom right.
His most famous ostinato is the descending chromatic ground bass that underpins the aria "When I am laid in earth" ("Dido's Lament") at the end of his opera Dido and Aeneas: Purcell, Dido's Lament ground bass Purcell, Dido's Lament ground bass
The final scene in Metastasio's libretto, Didone Abandonata, by Cecilio Rizzardini Didone abbandonata (Dido Abandoned) is an opera in three acts composed by Domenico Sarro to a libretto by Pietro Metastasio of the same name which was based on the story of Dido and Aeneas from the fourth book of Virgil's Aeneid.