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Claymation, sometimes called clay animation or plasticine animation, is one of many forms of stop-motion animation. Each animated piece, either character or background, is "deformable"—made of a malleable substance, usually plasticine clay .
The clay animation sequences were created by Bruce Bickford. H: Better Off Dead: 1985 Savage Steve Holland: The film is a mix between claymation, drawing, and live ...
Clay painting animation is a form of clay animation, which is one of the many kinds of stop motion animation. It blurs the distinction between clay animation , cel animation and cutout animation .
A clay animation scene from a Finnish television commercial Clay animation or Plasticine animation (Often called claymation, which, however, is a trademarked name). It uses figures made of clay or a similar malleable material to create stop-motion animation.
A clay model of a chicken, designed to be used in a clay stop motion animation [1]. Stop motion (also known as stop frame animation) is an animated filmmaking and special effects technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back.
Gumby is a blocky green humanoid made of clay. Gumby stars in two television series, Gumby: The Movie, and other media. Upon his debut in 1953, he immediately became a famous example of stop-motion clay animation and an American cultural icon, spawning tributes, parodies, and merchandising.
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Art Clokey also made a few highly experimental and visually inventive short clay animation films for adults, including his first student film Gumbasia (produced in 1953 and released in 1955), the visually rich Mandala (1977)—described by Clokey as a metaphor for evolving human consciousness—and the equally bizarre The Clay Peacock (1959), an elaboration on the animated NBC logo of the time.