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White was born into the Leech Lake Band of Ojibwe, in 1964. [citation needed] She was given the name "Wades in the water", as water is healing and is a symbol for life.She grew up in a two bedroom home without running water or electricity and has stated that many of her favorite memories consist of walking the trails and paths of the “old ones” along with her cousins, as well as partaking ...
She was exceptionally skilled in beadwork, and was a master of Ojibwe floral designs and geometric loom beadwork techniques. [4] She was able to create fully beaded traditional bandolier bags, which were commonly worn by tribal leaders. [9] She has shown pieces in the Smithsonian Institution's craft collection. The American Federation of Arts ...
Birchbark biting (Ojibwe: Mazinibaganjigan, plural: mazinibaganjiganan) is an Indigenous artform made by Anishinaabeg, including Ojibwe people, [1] Potawatomi, and Odawa, as well as Cree [2] and other Algonquian peoples of the Subarctic and Great Lakes regions of Canada and the United States.
Portrait of Pete Moos, Mille Lacs Band of Ojibwe, c1913 by photographer Ross A. Daniels. The photo shows the two gashkibidaaganag (bandolier bags) and the spot-stitch appliqué featuring complex layered and assembled motifs that are associated with the Mille Lacs Band. A bandolier bag is a Native American shoulder pouch, often beaded.
Patrick DesJarlait, Sr. (1921–1972) was an Ojibwe artist and a member of the Red Lake Band of Chippewa Indians. Known for his watercolor paintings, DesJarlait created roughly 300 artworks during his lifetime.
A wiigwaasabak (in Anishinaabe syllabics: ᐐᒀᓴᐸᒃ, plural: wiigwaasabakoon ᐐᒀᓴᐸᑰᓐ) is a birch bark scroll, on which the Ojibwa (Anishinaabe) people of North America wrote with a written language composed of complex geometrical patterns and shapes.