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She was exceptionally skilled in beadwork, and was a master of Ojibwe floral designs and geometric loom beadwork techniques. [4] She was able to create fully beaded traditional bandolier bags, which were commonly worn by tribal leaders. [9] She has shown pieces in the Smithsonian Institution's craft collection. The American Federation of Arts ...
Portrait of Pete Moos, Mille Lacs Band of Ojibwe, c1913 by photographer Ross A. Daniels. The photo shows the two gashkibidaaganag (bandolier bags) and the spot-stitch appliqué featuring complex layered and assembled motifs that are associated with the Mille Lacs Band. A bandolier bag is a Native American shoulder pouch, often beaded.
Modern Inuit art began in the late 1940s, when with the encouragement of the Canadian government they began to produce prints and serpentine sculptures for sale in the south. Greenlandic Inuit have a unique textile tradition intregrating skin-sewing, furs, and appliqué of small pieces of brightly dyed marine mammal organs in mosaic designs ...
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Motifs used in nakshi kantha are deeply influenced by religious beliefs and culture. Although no strict symmetry is followed, a finely embroidered nakshi kantha will always have a focal point. Most kanthas feature a lotus as the central motif, with undulating vines, floral patterns, or a shari border motif surrounding it. The motifs may include ...
Bizarre silks were woven on the drawloom, and the colorful patterns were brocaded or created with floating pattern wefts ().At the height of the fashion, the average repeat of a bizarre silk pattern was 27 inches (69 cm) high and ten inches (26 cm) wide, repeating twice across the width of the fabric. [4]