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Birchbark biting (Ojibwe: Mazinibaganjigan, plural: mazinibaganjiganan) is an Indigenous artform made by Anishinaabeg, including Ojibwe people, [1] Potawatomi, and Odawa, as well as Cree [2] and other Algonquian peoples of the Subarctic and Great Lakes regions of Canada and the United States.
Portrait of Pete Moos, Mille Lacs Band of Ojibwe, c1913 by photographer Ross A. Daniels. The photo shows the two gashkibidaaganag (bandolier bags) and the spot-stitch appliqué featuring complex layered and assembled motifs that are associated with the Mille Lacs Band. A bandolier bag is a Native American shoulder pouch, often beaded.
She was exceptionally skilled in beadwork, and was a master of Ojibwe floral designs and geometric loom beadwork techniques. [4] She was able to create fully beaded traditional bandolier bags, which were commonly worn by tribal leaders. [9] She has shown pieces in the Smithsonian Institution's craft collection. The American Federation of Arts ...
A wiigwaasabak (in Anishinaabe syllabics: ᐐᒀᓴᐸᒃ, plural: wiigwaasabakoon ᐐᒀᓴᐸᑰᓐ) is a birch bark scroll, on which the Ojibwa (Anishinaabe) people of North America wrote with a written language composed of complex geometrical patterns and shapes.
Philip Treacy created headwear for the collection, including Glengarry caps, headpieces based on the Japanese rising sun motif, and an engraved red and white glass mitre worn with Look 47. [ 24 ] [ 27 ] The mitre may have been a tribute to Isabella Blow , who was a mutual friend and muse of Treacy and McQueen; she wore a similar hat in a Vanity ...
Tishynah Buffalo (George Gordon), who lives in Alberta, Canada, was invited to participate in London Fashion Week in 2017, to showcase her innovative designs which often use Pendleton blankets and are decorated with beadwork and Cree floral patterns. [36] Helen Oro, (Pelican Lake), who designs fashion accessories, also participated in the event.