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Gamelan gong kebyar is a style or genre of Balinese gamelan music of Indonesia. Kebyar means "to flare up or burst open", [ 1 ] and refers to the explosive changes in tempo and dynamics characteristic of the style.
The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong. They are important beat-keepers in the colotomic structure of the gamelan. Depending on the structure, they play different, repeating patterns every gongan. Not all ...
Kepatihan is widely used in ethnomusicological studies of the gamelan, sometimes accompanied by transcriptions into Western staff notation with approximate mapping of slendro and pelog tuning systems of gamelan onto the western staff, with and without various symbols for microtones.
It refers to the use of specific instruments to mark off nested time intervals, or the process of dividing rhythmic time into such nested cycles. In the gamelan, this is usually done by gongs of various size: the kempyang, ketuk, kempul, kenong, gong suwukan, and gong ageng. The fast-playing instruments, kempyang and ketuk, keep a regular beat ...
Gamelan angklung [1] Gamelan batel; Gamelan bebonangan; Gamelan beleganjur; Gamelan gambang; Gamelan gambuh; Gamelan gandrung; Gamelan gender wayang; Gamelan gong gede; Gamelan gong kebyar; Gamelan gong luang; Gamelan gong saron; Gamelan gong suling; Gamelan jegog; Gamelan joged bumbung; Gamelan pearjaan; Gamelan pelegongan; Gamelan selunding ...
An example of kotekan empat (H=high, L=low) depicting the sangsih part (top), the polos part (middle), and their composite (bottom) [1]. Kotekan is a style of playing fast interlocking parts in most varieties of Balinese Gamelan music, including Gamelan gong kebyar, Gamelan angklung, Gamelan jegog and others.
Irama is the term used for tempo in Indonesian gamelan in Java and Bali. It can be used with elaborating instruments. It can be used with elaborating instruments. It is a concept used in Javanese gamelan music, [ 2 ] describing melodic tempo and relationships in density between the balungan , elaborating instruments , and gong structure . [ 3 ]
The Malay Gamelan (Malay/Indonesian: gamelan Melayu; Jawi: ݢاميلن ملايو ) is a style of music originated from Indonesia, performed in ethnic Malay-populated regions of Indonesia (particularly in North Sumatra, Riau and Riau Islands) and Malaysia (particularly in Pahang, Terengganu and Johor) as well.