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Since the Japanese already dominated both the cassette and hi-fi equipment markets, incompatibility further undermined the market share of European-made cassette decks and CrO 2 cassettes. [64] In 1987, the IEC resolved the compatibility issue by appointing a new Type II reference tape U 564 W, a BASF ferricobalt with properties that were very ...
Digital Compact Cassette (DCC), a magnetic tape sound recording format introduced by Philips and Matsushita in late 1992 and marketed as the successor to the standard analog Compact Cassette; NT (cassette), a small cassette tape created by Sony that was smaller than a Picocassette only used for dictation machines but had plans to be used in music
Cassettes Won't Listen has also released official remixes for notable artists such as Aesop Rock, El-P, Midlake, Mr. Lif, Morcheeba and many more. Cassettes Won't Listen initial release was a covers EP entitled One Alternative on December 11, 2007, as well as a seven-song EP entitled Small-Time Machine on March 11, 2008.
The Compact Cassette, also commonly called a cassette tape, [2] audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips , the Compact Cassette was released in August 1963.
An audio format is a medium for sound recording and reproduction.The term is applied to both the physical recording media and the recording formats of the audio content—in computer science it is often limited to the audio file format, but its wider use usually refers to the physical method used to store the data.
Top left, stereo headphones with a cassette player built into one side. Top right, a portable cassette player and audio recorder with radio for use with headphones. Below, a miniature dictation machine mainly for business dictations, use by journalists, etc. The latter is far more widely used than the other two types, which were rather rare.
To commemorate ten years since the release of the first Now That's What I Call Music! album, from June to August in 1993, a series of ten, 40-track yearly collections were released on CD and cassette (but not vinyl), covering the years 1983 to 1992. The 1993 volume was not originally part of the ten-year anniversary series.
“Cassette culture” is an international music scene that developed in the wake of punk in the second half of the 1970s and continued through into the first half of the 1980s (the "postpunk" period), and in some territories into the 1990s, in which a large number of amateur musicians outside the established music industry, usually recording in their homes and usually recording to cassette ...