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A diagram showing a wiring modification for a Les Paul or a similar electric guitar with two humbuckers. Wiring schemes using four push-pull pots for additional pickup combinations were made popular by Led Zeppelin guitarist Jimmy Page and later produced as a signature model by Gibson. The modification shown in this diagram is an evolution of ...
The Gibson Marauder was an electric guitar model produced by Gibson between 1975 and 1979. Designed to compete with guitars made by Fender , it had limited success and was discontinued after only 7,111 had been sold.
The Gibson L6-S is a solid body electric guitar. It was the descendant of the L5S jazz solid-body electric guitar . It was the same shape, very much like a wide Gibson Les Paul , but with a 24-fret neck, the first Gibson guitar to have this.
1.2 Electric guitars. 1.2.1 Hollowbody and Semi-Hollowbody guitars. 1.2.2 Solid-body guitars. 1.3 Bass Guitars. 2 Amplifiers. ... Official Gibson Guitar Company website;
In the late 1960s, Gibson introduced the ES-150DC, which was a significantly different instrument, despite its similar model number. The ES-150DC was a hollowbody electric guitar with a double-cutaway body similar in appearance to the semi-hollow 335 guitars (except for a greater body thickness).
In the interim, during the 1970s, a small boutique USA guitar producer, Hamer, began making both flat-top and carved-top doublecutaway guitars very similar to the then-dormant Gibson designs. These Hamer versions of doublecutaway Les Pauls got widespread publicity for their use by the members of the rock band Cheap Trick and others.
The Sonex Deluxe, the lowest price model, used Velvet Brick humbucker pickups, not Dirty Fingers. The Bricks were designed by Bill Lawrence, working for Gibson. They feature a unique steel mounting plate on the back of the pickup that differs from all other Gibson pickups, and has 2 height adjustment screws on one side and one on the other side.
The SST was a design that combined Gibson's steel-string acoustic and electric guitar technology. [2] The guitar had a solid spruce or cedar top and a mahogany body. Unlike most acoustic-electrics, the SST had no resonating chamber or soundhole. The acoustic sound came from a bridge mounted transducer manufactured by L.R. Baggs for Gibson with ...