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On Tết and other occasions, Vietnamese men may wear an áo gấm (brocade robe), a version of the áo dài made of very thick fabric and with sewed symbols. The áo dài dress has traditionally been marketed with a feminine appeal, with "Miss Ao Dai" pageants being popular in Vietnam and with overseas Vietnamese . [ 11 ]
The áo giao lĩnh was influenced from Han Chinese clothing. [1] It is a robe with a wrap collar closing on the right side. The wrap collar closing on the right side is known as jiaoling youren (Chinese: 交領右衽; lit. 'intersecting collar right lapel') in China; garments with this form of wrap collar originated in China and started to be worn at least since the Shang dynasty (c. 1600 BC ...
A robe is a loose-fitting outer garment. [1] [2] Unlike garments described as capes or cloaks, robes usually have sleeves. The English word robe derives from Middle English robe ("garment"), borrowed from Old French robe ("booty, spoils"), itself taken from the Frankish word *rouba ("spoils, things stolen, clothes"), and is related to the word ...
This page was last edited on 24 October 2023, at 03:18 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
[118] [116] Men's attire during the Tang dynasty usually included robes which was worn with trousers, yuanlingpao, belt worn at the waist, futou, and dark leather boots. [ 1 ] [ 34 ] [ 61 ] [ 119 ] The Tang dynasty inherited all the forms of belts which were worn in the Wei, Jin, Northern and Southern dynasties and adopted them in the official ...
The culture of Vietnam (Vietnamese: Văn hoá Việt Nam, chữ Hán: 文化越南) are the customs and traditions of the Kinh people and the other ethnic groups of Vietnam. Vietnam is part of Southeast Asia and the Sinosphere due to the influence of Chinese culture on Vietnamese culture.
It is practical, comfortable, and the elemental design is well suited for Vietnam's climate. The áo bà ba has transitioned well into modern Vietnamese fashion and continues to hold a natural presence in almost every aspect of Vietnamese life, culture, fashion, and the arts.
After the Fourth Chinese domination of Vietnam it was recorded that the union of Vietnamese women and Chinese (Ngô) men produced offspring which were left behind in Vietnam and the Chams, Cẩu Hiểm, Laotians, these people and Vietnamese natives who collaborated with the Ming were made into slaves of the Le government in the Complete Annals ...