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The áo giao lĩnh was influenced from Han Chinese clothing. [1] It is a robe with a wrap collar closing on the right side. The wrap collar closing on the right side is known as jiaoling youren (Chinese: 交領右衽; lit. 'intersecting collar right lapel') in China; garments with this form of wrap collar originated in China and started to be worn at least since the Shang dynasty (c. 1600 BC ...
On Tết and other occasions, Vietnamese men may wear an áo gấm (brocade robe), a version of the áo dài made of very thick fabric and with sewed symbols. The áo dài dress has traditionally been marketed with a feminine appeal, with "Miss Ao Dai" pageants being popular in Vietnam and with overseas Vietnamese . [ 11 ]
The casual zhiduo was popular among men of the Song, [25] Yuan and Ming dynasties, it could be worn by both scholar-official and the common people, and has several features: [5] The bottom of robe reaches below the knee; With overlapping jiaoling youren collar; A centre back seam which runs down the robe; With lateral slit on each lower side
Vietnamese wore a round neck costume, which was made from 4 parts of cloth called áo tứ điên. [8] Both men and women wore it. There are also other types such as: áo tràng vạt (long-flap robe). The garments "áo" (áo is for the upper part of body) are below knee length, and round neck garments have buttons when the long-flap robe is ...
A robe is a loose-fitting outer garment. [1] [2] Unlike garments described as capes or cloaks, robes usually have sleeves. The English word robe derives from Middle English robe ("garment"), borrowed from Old French robe ("booty, spoils"), itself taken from the Frankish word *rouba ("spoils, things stolen, clothes"), and is related to the word ...
[118] [116] Men's attire during the Tang dynasty usually included robes which was worn with trousers, yuanlingpao, belt worn at the waist, futou, and dark leather boots. [ 1 ] [ 34 ] [ 61 ] [ 119 ] The Tang dynasty inherited all the forms of belts which were worn in the Wei, Jin, Northern and Southern dynasties and adopted them in the official ...
Khăn vấn is a rectangular textile that is long and quite thick, wrapped tightly around the head. According to the decrees of Nguyễn dynasty written in the Historical chronicle of Đại Nam, the Vietnamese initially remained faithful to the Champa style, but gradually adapted styles to suit needs for each social class.
Indeed, much of Vietnamese poetry has been dedicated to the beauty of women in their vermilion bodices (yếm đào). While the bottom of the yếm are v-shaped, there were different styles for the top of the garment which covered the neck, the most common two variations being the rounded neck or the v-shaped neck style.