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The Dionysus Cup is the modern name for one of the best known works of ancient Greek vase painting, a kylix (drinking cup) dating to 540–530 BC. It is one of the masterpieces of the Attic black-figure potter Exekias and one of the most significant works in the Staatliche Antikensammlungen in Munich .
Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens. [1]
The coincidence of invoking Iacchus, seen as Dionysus as a child, by torchlight and commemorating the myth of the god's death and rebirth. This happened both in Delphi and in Athens in the Lenaia, in the same season, winter. It further supports the idea that Attic Lenaia had a specific ritual involving women, the followers of the god.
Exekias (Ancient Greek: Ἐξηκίας, Exēkías) was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. [1] Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision.
The cult of Dionysus was strongly associated with satyrs, centaurs, and sileni, and its characteristic symbols were the bull, the serpent, tigers/leopards, ivy, and wine. The Dionysia and Lenaia festivals in Athens were dedicated to Dionysus , as well as the phallic processions .
The following is a list of ancient Greek vase painters who have been identified either by name or by style. Because of the research of academics like John Davidson Beazley, Arthur Dale Trendall, Robert Manuel Cook, Darrell A. Amyx and Conrad Stibbe more than 2800 individual painters are known. Interior of the Dionysus cup, by Exekias
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Birth of Dionysus, on a small sarcophagus that may have been made for a child (Walters Art Museum) [220] The education of Dionysus. Fresco, now in the Museo Nazionale Romano , Rome, c. 20 AD Various different accounts and traditions existed in the ancient world regarding the parentage, birth, and life of Dionysus on earth, complicated by his ...