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A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet.
A wiring diagram for parts of an electric guitar, showing semi-pictorial representation of devices arranged in roughly the same locations they would have in the guitar. An automotive wiring diagram, showing useful information such as crimp connection locations and wire colors. These details may not be so easily found on a more schematic drawing.
A guitar amplifier amplifies the electrical signal of an electric guitar so that it can drive a loudspeaker at sufficient volume for the performer and audience to hear. Most guitar amplifiers can also modify the instrument's sound with controls that emphasize or de-emphasize certain frequencies and add electronic effects.
Mullard Circuits for Audio Amplifiers is a famous book by the Technical Services Department of Mullard Ltd, a British valve manufacturing company. First published in 1959 and then reprinted several times it contained a number of designs by Mullard engineers for high quality audio amplifiers, which were to be used by amateur constructors as well as by manufacturers as the basis for many ...
Electric guitar design is a type of industrial design where the looks and efficiency of the shape as well as the acoustical aspects of the guitar are important factors. In the past many guitars have been designed with various odd shapes as well as very practical and convenient solutions to improve the usability of the object.
Gjika continued with his mission, seeking to achieve this same guitar tone in a smaller, lighter package, and made quite a few more designs, both single-ended and push-pull, but after years of guitarists requesting that Gjika bring his 8-EL34 stereo amp (Gold Amp) back into production, he then focused on re-designing the old Gold into a more ...
Teisco guitars became notable for unusual body shapes, such as the May Queen design resembling an artist's palette, or other unusual features such as having four pickups (most guitars have two or three). The vast amount of controls; typically an individual switch for each pickup, plus a tone or phase inversion switch, along with as many as five ...
In the late 1970s and very early 1980s the "Supers" were followed by the tube-based '30', '75 (Lead)', and '140' tube amps (with reverb and overdrive features) and two solid-state 'Harvard' amps (one with reverb), which were 15W practice amplifiers. Design-wise the tube amplifiers were quite different from their predecessors, as the active tone ...