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Aristotle's work on aesthetics consists of the Poetics, Politics (Bk VIII), and Rhetoric. [8] The Poetics was lost to the Western world for a long time. The text was restored to the West in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes. [9]
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.
Aristotle finds (in the Metaphysics) the universal elements of beauty to be order (taxis), symmetry and definiteness or determinateness (to orismenon). In the Poetics he adds another essential, namely, a certain magnitude; the object should not be too large, while clearness of perception requires that it should not be too small. [4]
Therefore, aesthetics is highly subjective and differs by individual. [6] Aesthetics can also be used as a synonym to define taste or style [3] encapsulating artistic expression and activities such as rhetoric, tone, harmony, painting, composition art and music. [4] Aesthetics also encapsulates the look, feel, or sound of natural forms. [4]
The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, his writings are divisible into two groups: the " exoteric " and the " esoteric ". [ 1 ]
Drama, specifically tragedy, is explored in Aristotle's Poetics or 'Unities.' The Poetics explains both a history and a critical framework for the evaluation for tragic drama. [5] This particular work was influential during the Renaissance and the early modern European periods, however, still has had a strong influence up to the present day. [5]
The challenge to the assumption that beauty was central to art and aesthetics, thought to be original, is actually continuous with older aesthetic theory; Aristotle was the first in the Western tradition to classify "beauty" into types as in his theory of drama, and Kant made a distinction between beauty and the sublime.
The neglect of aesthetic theory to consider the role of sensibility in everyday life was first pointed out by Katya Mandoki who in 1994 coined the word Prosaics [4] (drawing a distinction from Aristotle’s Poetics [5] focused on art) to denote a sub-discipline that would specifically inquire the aesthetics involved in daily activities emphasizing the styles and forms of expression in face-to ...