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Fruit and Flowers (1860) by Roger Fenton. Fruit and Flowers is a black and white photograph by English photographer Roger Fenton, taken in 1860.It was part of the still lives series that Fenton did at the Summer of that year, and would be some of his final photographic work, shortly before be leave this activity, in 1862.
Boy Peeling Fruit: Florence, Fondazione Roberto Longhi: 75.5 × 64.4 cm Oil on canvas: One of several versions, one of which is Caravaggio's earliest known work [8] c. 1592-1593: Boy Peeling Fruit: London, Hampton Court Palace – Royal Collection: 63 × 53 cm Oil on canvas: One of several versions, one of which is Caravaggio's earliest known ...
Art writers noted several elements of the painting as dominant, either visually or thematically. Moir, for example, notes the key role that the contrast between light and shadow plays in the composition: a window placed high on the left allows a ray of light to penetrate the room, illuminating, as it slides over the wall, the boy, the lush fruit basket, the shirt sleeve, the sensual bare ...
Basket of Fruit (c.1599) is a still life painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610), which hangs in the Biblioteca Ambrosiana (Ambrosian Library), Milan. It shows a wicker basket perched on the edge of a ledge. The basket contains a selection of summer fruit:
Monet paints the fruit on a diagonally placed table to "anchor his composition in space." [62] Having removed any form of distraction, such as a table or background, [61] Van Gogh placed each piece of fruit by itself, creating a "semi-abstract, decorative effect." [62] Still Life with Quinces and Lemons (F383) is a study in yellow. The painting ...
From January 2009 to December 2012, if you bought shares in companies when Catherine R. Kinney joined the board, and sold them when she left, you would have a -8.4 percent return on your investment, compared to a 53.1 percent return from the S&P 500.
Still Life with Fruit on a Stone Ledge is a painting attributed to the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). The picture has been variously dated between 1601 and 1610 (Caravaggio scholar John T. Spike lists the date as circa 1603 in the second revised edition [ 1 ] of his study of the artist).
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