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The Thrissil and the Rois is a Scots poem composed by William Dunbar to mark the wedding, in August 1503, of King James IV of Scotland to Princess Margaret Tudor of England. The poem takes the form of a dream vision in which Margaret is represented by a rose and James is represented variously by a lion , an eagle and a thistle . [ 1 ]
The painting illustrates the story of 'The King and the Beggar-maid", which tells the legend of the prince Cophetua who fell in love at first sight with the beggar Penelophon. The tale was familiar to Burne-Jones through an Elizabethan ballad published in Bishop Thomas Percy 's 1765 Reliques of Ancient English Poetry and the sixteen-line poem ...
"The King and the Beggar-maid" is a 16th-century broadside ballad [1] that tells of an African king, Cophetua, and his love for the beggar Penelophon (Shakespearean Zenelophon). Artists and writers have referenced the story, and King Cophetua has become a byword for "a man who falls in love with a woman instantly and proposes marriage immediately".
Lev is a common Slavic name meaning "lion". The Latin name for Lviv is Leopolis, meaning "Lion City". The name of the city of Oran in Algeria is derived from the Berber root 'HR meaning lion, from which are also derived the names of Tahert and Souk Ahras. The name is attested in multiple Berber languages, for instance as uharu and ahra. A ...
It features an almost surreal portrait of Yadwigha (Jadwiga), Rousseau's Polish mistress from his youth, lying naked on a divan to the left of the painting, gazing over a landscape of lush jungle foliage, including lotus flowers, and animals including birds, monkeys, an elephant, a lion and lioness, and a snake.
"The White Man's Burden" was first published in The New York Sun on February 1, 1899 and in The Times (London) on February 4, 1899. [7] On 7 February 1899, during senatorial debate to decide if the US should retain control of the Philippine Islands and the ten million Filipinos conquered from the Spanish Empire, Senator Benjamin Tillman read aloud the first, the fourth, and the fifth stanzas ...
St. Jerome and the Lion (also known as St. Jerome Extracting the Thorn [1] or Saint Jerome in the Desert) is an oil on oak panel painting by Rogier van der Weyden or his studio from c. 1450–1465, showing Jerome and a lion. It is now in the Detroit Institute of Arts. This painting was part of a renewed interest in depictions of St. Jerome. [2]
A lion he rescues from a dragon [1] proves to be a loyal companion and a symbol of knightly virtue, and helps him defeat a mighty giant, three fierce knights, and two demons. After Yvain rescues Lunete from being burned at the stake, she helps Yvain win back his wife, who allows him to return, along with his lion.