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Hound dog, hound dog, hound dog (You ain’t nothin’ but a) Player gettin’ valeted around in that ho whip Two fingers up, one down with my toes ten Flewed out with my boobs out, put a cork in it
Thornton's recording of "Hound Dog" is credited with "helping to spur the evolution of black R&B into rock music". [9] Brandeis University professor Stephen J. Whitfield, in his 2001 book In Search of American Jewish Culture, regards "Hound Dog" as a marker of "the success of race-mixing in music a year before the desegregation of public schools was mandated" in Brown v.
The song's lyrics refer to a man who was an "underwhelming lover" [3] whom Doja Cat feels "never deserved her attention". [4] Produced by Rogét Chahayed and Yeti Beats, it samples Shonka Dukureh's recording of the song "Hound Dog", which was written by Jerry Leiber and Mike Stoller, first recorded by Big Mama Thornton (who Dukureh plays in the film) in 1952 and notably covered by Presley.
In 1997, Alligator Records released Hound Dog Taylor: A Tribute, a 14-track tribute album in which Taylor's songs are covered by Luther Allison, Elvin Bishop, Cub Koda (with Taylor's band, the HouseRockers), Gov't Mule, Sonny Landreth, and others. [11] A "Deluxe Edition" series compilation album followed in 1999.
He was often backed by George Lewis on harmonica and Katie Webster on piano. Floyd Soileau's Jin Records label released nine Rockin' Sidney singles between 1957–1964. Sidney also recorded on Rod Records. In 1963 his single "No Good Woman" on the Ville Platte label sold well in South Louisiana and East Texas and was well received by music ...
I Ain't Got Nothin' but the Blues" is a 1937 song composed by Duke Ellington, with lyrics written by Don George. [1] Notable recordings Duke ...
"You Ain't Goin' Nowhere" is a song written by the American musician Bob Dylan in 1967 in Woodstock, New York, during the self-imposed exile from public appearances that followed his July 29, 1966 motorcycle accident.
The song was recorded during the filming of the "Lady Madonna" promotional film, and, with "Lady Madonna", is one of the few Beatles songs based on a piano riff. It had a working title of "She Can Talk To Me". For many years, "Hey Bulldog" was a relatively obscure and overlooked song in the Beatles' catalogue; it has since been reappraised. [2]