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Detail wall painting, Ladakh Detail of a wall painting in a Buddhist temple in Ladakh/India. The support for wall paintings is made of earthen plaster, usually consisting of more than one layer of earthen plaster, in which the last layer is rendered as smoothly as possible. The support was covered by a smoothened ground, generally in white.
The culture of Ladakh refers to the traditional customs, belief systems, and political systems that are followed by Ladakhi people in India. The languages, religions, dance, music, architecture, food, and customs of the Ladakh region are similar to neighboring Tibet. Ladakhi is the traditional language of Ladakh.
Large shrine statue of Maitreya, Thiksey Monastery, Ladakh, 1970. The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, [1] Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood.
Art and architectural conservation projects were carried out by the INTACH Ladakh Chapter in 2015 and 2016 in collaboration with M/s Art Conservation Solutions. The project was funded in 2015 by the Prince Claus Fund and in 2016 and 2018 by the World Monuments Fund .
Shanti Stupa is a Buddhist white-domed Stupa (chorten) on a hilltop in Chanspa, Leh district, Ladakh, in north India. [1] It was built in 1991 by Japanese Buddhist monk Gyomyo Nakamura . The Shanti Stupa holds the relics of the Buddha at its base, enshrined by the 14th Dalai Lama . [ 2 ]
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The dramyin or dranyen (Tibetan: སྒྲ་སྙན་, Wylie: sgra-snyan; Dzongkha: dramnyen; Chinese: 扎木聂; pinyin: zhamunie) [1] is a traditional Himalayan folk music lute with six strings, used primarily as an accompaniment to singing in the Drukpa Buddhist culture and society in Bhutan, as well as in Tibet, Ladakh, Sikkim and Himalayan West Bengal.
Morup Namgyal is an Indian folk musician, composer and dramatist, [1] known for his contributions for the revival of Ladakhi and Tibetan folk music tradition. [2] He is reported to have traveled across the Ladakhi region in the 1960s and documented the songs of the region which has assisted in the preservation of the regional musical tradition. [3]