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The music licensing community was intrigued by the Dec. 21st launch of Songview, a new one-stop platform presented by performing rights organizations ASCAP and BMI combining both databases for ...
[20] [21] In 1953, ASCAP filed an antitrust lawsuit against BMI, and instigated a congressional investigation of BMI in 1956. ASCAP lobbied Congress for laws that would bar broadcasters from owning BMI stock in 1958, and provided the impetus to launch payola investigations at the end of the decade. ASCAP and BMI settled an antitrust lawsuit in ...
Some of these companies do not license dramatic performances of works, and some do. A dramatic performance of a work can be anywhere from a performance of an entire dramatic work, such as a musical, or a concert of a few of an artist's songs. ASCAP does not license dramatic performances, but The Rodgers and Hammerstein Organization does.
Music Reports, a US-based music rights licensing company; Motion Picture Licensing Corporation (MPLC) SESAC, a US-based performance rights association; SoundExchange, a digital performance rights association (non-interactive radio) Pro Music Rights, a US-based performance rights association
In 1939, ASCAP announced a substantial increase in the revenue share licensees would be required to pay. BMI was founded by the National Association of Broadcasters to provide a lower-cost alternative to ASCAP. [7] [8] As such, BMI created competition in the field of performing rights, providing an alternative source of licensing for all music ...
The American Society of Composers, Authors and Publishers (ASCAP) announced record financial results for 2023, with $1.737 billion in revenue and $1.592 billion available for royalty distributions ...
Transmission Clause A performance is also public when it is transmitted or communicated through any device or process to members of the public regardless of whether the public in question receive the performance in a single place and time, i.e., a transmission received by the public separately and individually would also constitute a public ...
ASCAP's and SESAC's policy of charging non-commercial educational (NCE) radio stations for playing copyrighted music has also been criticised, especially by college radio stations across the U.S., which rely entirely on student and listener support for funding and have difficulty affording the extra fees. Community Orchestras, which mostly play ...