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German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. [2]
Paul Leni (born Paul Josef Levi; 8 July 1885 – 2 September 1929) was a German filmmaker and a key figure in German Expressionism, making Hintertreppe (1921) and Waxworks (1924) in Germany, and The Cat and the Canary (1927), The Chinese Parrot (1927), The Man Who Laughs (1928), and The Last Warning (1928) in the United States.
Erich Pommer (20 July 1889 – 8 May 1966) was a German-born film producer and executive. Pommer was perhaps the most powerful person in the German and European film industries in the 1920s and early 1930s. [1] Erich Pommer (left) with Carl Zuckmayer and Emil Jannings (1929)
Freund began his film career in 1905. He was a newsreel cameraman in 1907 and a year later was working for Sascha-Film in Vienna. In 1911, Freund moved to Belgrade to create a film laboratory for the Brothers Savic. Freund worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920) and The Last Laugh ...
Friedrich Wilhelm Murnau (born Friedrich Wilhelm Plumpe; December 28, 1888 – March 11, 1931) was a German film director, producer and screenwriter. He is regarded as one of cinema's most influential filmmakers for his work in the silent era .
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Born in Germany to English-German Jewish parents (original surname Hiller) [citation needed], he studied art in Berlin in the late 1920s.Impressed by Hillier's paintings, the director F. W. Murnau offered him a job as camera assistant on Tabu (1931), but Hillier's father intervened because of Murnau's homosexuality.
He was the set designer for Robert Wiene's 1920 film Genuine, [3] and for the 1924 production of Ernst Toller's Hinkemann. [4] Klein was included in the famous Degenerate Art exhibition mounted by the Nazi regime in 1937. He was able to resume his career in theatrical design after World War II. He died in 1954, at Pansdorf near Lübeck