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The English suffixes -phobia, -phobic, -phobe (from Greek φόβος phobos, "fear") occur in technical usage in psychiatry to construct words that describe irrational, abnormal, unwarranted, persistent, or disabling fear as a mental disorder (e.g. agoraphobia), in chemistry to describe chemical aversions (e.g. hydrophobic), in biology to describe organisms that dislike certain conditions (e.g ...
In sociology and psychology, mass hysteria is a phenomenon that transmits collective illusions of threats, whether real or imaginary, through a population and society as a result of rumors and fear. [ 1 ] [ 2 ] In medicine, the term is used to describe the spontaneous manifestation—or production of chemicals in the body—of the same or ...
[109] [110] [111] A 1997 assessment states that over a third of Earth's land has been modified by humans, that atmospheric carbon dioxide has increased around 30 percent, that humans are the dominant source of nitrogen fixation, that humans control most of the Earth's accessible surface fresh water, and that species extinction rates may be over ...
A new study from the University of Chicago finds that all humans have an innate sense built in that makes us fear things that are moving closer towards, rather than moving away. In evolutionary ...
"Everybody Wants to Rule the World" is a new wave and synth-pop song with lyrics that detail the desire humans have for control and power and centre on themes of corruption. An international success, the song peaked at number two in Ireland, Australia, and the United Kingdom and at number one in Canada, New Zealand, and on both the US Billboard ...
The song incorporates a lyric scheme where each verse forms the acrostic "F.E.A.R." (for example, "For each a road" and "Fallen empires are ruling").In an interview with Clash magazine, Brown said that a main influence for "F.E.A.R." was The Autobiography of Malcolm X, which preached the study of etymology, so that one could have "control over people through the use of language."
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Chuck Person's Eccojams Vol. 1 is a 2010 album of remixes by American electronic musician Daniel Lopatin under the pseudonym Chuck Person. Its tracks consist of chopped, looped samples of various songs—including popular songs from the 1980s and 1990s—processed with effects such as delay, reverb, and pitch shifting; the results highlight mournful or existential moments from the sources.